ECM New Series 2323, March 2014

Patricia Kopatchinskaja: violin
Anja Lechner: violoncello

Amsterdam Sinfonietta
Candida Thompson: lead violin

Issued in the wake of the great Armenian composer’s 75th birthday, this New Series album opens with Tigran Mansurian’s fiercely-concentrated Double Concerto, composed in 1978, and proceeds to new music performed by its dedicatees: the lyrical Romance, dedicated to Moldovan violinist Patricia Kopatchinskaja, and the intensely expressive Quasi parlando, dedicated to German cellist Anja Lechner. Both are premiere recordings, as is Mansurian’s Concerto No 2 (2006), subtitled Four Serious Songs, again with Kopatchinskaja, which concludes the programme. Throughout, the soloists and the Amsterdam Sinfonietta, led by Candida Thompson, deliver committed performances.


Double Concerto
01 I Largo concentrando (excerpt) 13:09
02 II Largo sostenuto 9:37

03 Romance 9:24
04 Quasi parland o8:00

Four Serious Songs
05 I Andante con moto 6:20
06 II Andante mosso, agitato 7:43
07III Allegro vivace 1:08
08IV Con moto, molto semplice 7:10

Total duration: 62:39

“Quasi Parlando” is an important addition to ECM’s documentation of the work of Tigran Mansurian, an often breathtaking account of highly original contemporary chamber orchestra music. Issued in the wake of his 75th birthday, the album opens with the Armenian composer’s fiercely-concentrated Double Concerto, and proceeds to new music performed by its dedicatees: the lyrical Romance, dedicated to Moldavian violinist Patricia Kopatchinskaja, and the intensely expressive Quasi Parlando, dedicated to German cellist Anja Lechner. Both are world premiere recordings, as is the Concerto No 2, subtitled Four Serious Songs, which concludes the programme. Throughout, the soloists deliver committed performances, as does the Amsterdam Sinfonietta under the direction of Candida Thompson.
In the liner notes, Wolfgang Sandner describes title piece Quasi Parlando, composed in 2012, as one of the works which best exemplify Mansurian’s aesthetics of reduction: “Every note is exactly where it belongs. Compositional feeling seems at one with the innate potential of the sounds. Yet we are amazed to hear how the cello’s rhetorical figures congeal into an effective and expressive art that transcends the conceptualisations of speech.” The Romance, composed a year earlier, initially retains the four-bar periods of a simple but moving folk song until the strings enter a dialogue with the solo violin, whereupon a transformation takes place…


Born in Beirut in 1939, Tigran Mansurian moved with his family back to their ancestral Armenia in 1947, and studied at the Yerevan Conservatory of which he would eventually become the director. In the 1960s he was attracted by the ideas of the Western new music avant-garde but became increasingly convinced of the importance of the spirit of place and of composing in an authentically Armenian voice. “Our position on the map of music and culture,” he has written, “is exactly on the spot where East and West meet.” It is this special vantage point that fires his creative imagination.
His music was first heard on ECM with the recording Hayren (2000), where his pieces were brought together with music of his great formative influence, the ethnologist, composer and priest, Komitas. Subsequent Mansurian recordings include Monodia, the String Quartets, and the choral album Ars Poetica.
Violinist Patricia Kopatchinskaja was born in Chisinau, Moldova, and studied violin and composition in Vienna and Berne. Her repertoire includes not only the classical and romantic literature but modern works by Bartók, Ligeti and Kurtág, Galina Ustvolskaya, the Second Viennese School, and many compositions written for, dedicated to and premièred by her. In 2000 she won the International Henryk Szeryng Competition in Mexico. She has also received awards for her complete recording of Beethoven’s works for violin and orchestra, and the concertos of Bartók, Eötvös and Ligeti. The present disc is her first with ECM. Kopatchinskaja is emphasizing music of Mansurian in her 2014 touring schedule, which includes dates with the Britten Sinfonia playing the Four Serious Songs, and with Camerata Bern, playing the Romance. For concert details see In autumn 2014, she will also be playing Mansurian’s music with the St. Paul Chamber Orchestra.